Paolo Ferraris
Oct 22, 20192 min
Food photography is the edible equivalent of portrait, fashion and beauty photography. You want the dishes you are photographing to shine, to glow, to turn heads. You want the viewer to be amazed. You want the audience to get hungry. So what is the best lens for food photography?
Anything below 50mm is not my favorite. In certain cases, if the background is very important (e.g. if you have to include the restaurant's architecture in the shot) you can consider a wide angle lens for your food photography. Pay attention to the distortion though and be close to the dish or it will disappear in the frame.
50mm: Here's where things start to get interesting!
70 to 130mm: To me this is food photography's playground.
Over 130mm: With very long focal lengths the background disappears and that's never a great idea with food. Every dish has several layers. It is a small universe on a plate. Don't crush it together with the lens' perspective.
Not necessarily. I'm against shooting food too close. With the shallow depth of field of the tele lenses we usually employ to shoot food, you risk losing the layers and the complexity of the dish you are photographing. Blurring the background a little bit is fine, enhancing and stressing the focus on a recipe's detail is great but a dish is an organism. You have to consider it in its entirety.
This suggestion is valid unless your photoshoot is about very small textural details or tiny ingredients. If the whole point of the shot is to show something very small, macro might be the only way to go.
EF 70-200mm f/2.8L IS, the workhorse
EF 24–105mm f/4L IS, for tight budgets
EF 85mm f/1.2L II USM, for total depth of field control
EF 100mm f/2.8L Macro IS, if you REALLY need a macro lens
AF-S Nikkor 70-200mm f/2.8, the workhorse
AF-S Nikkor 24-120mm f/4, for tight budgets
AF-S Nikkor 105mm f/1.4 or AF-S Nikkor 85mm f/1.4, for total depth of field control
AF-S VR Micro Nikkor 105mm f/2.8, if you REALLY need a macro lens
FE 70-200mm F2.8 GM, the workhorse
FE 24–105 mm F4 G, for tight budgets
FE 100mm F2.8 GM or FE 85mm F1.4 GM, for total depth of field control
FE 90mm F2.8 Macro G, if you REALLY need a macro lens
105mm F1.4 DG HSM | A, for total depth of field control
70mm F2.8 DG Macro | A, if you REALLY need a macro lens
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